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  • 28.03.2024 14:50 | Anonymous member (Administrator)

    We are pleased to announce that the Liverpool School of the Arts Doctoral Award (LADA) is now open for applications. The award provides assistance with fees and maintenance for full-time PhD study, renewable each year for up to 3 years, based on satisfactory progress. LADA comes with an expected commitment of up to 150 hours of teaching or research assistance work per year. Applications are welcome from all students, UK or international, who are applying to a PhD programme within School of the Arts.

    To be eligible, candidates must have applied to a PhD programme in SotA by 3rd April 2024. The LADA application itself must then be submitted by 8th May 2024, with interviews expected to take place on 16th July 2024.

    The application form and further details are available here: Doctoral Award - School of the Arts - University of Liverpool. 

    Please don’t hesitate to contact pgarts@liverpool.ac.uk if you have any queries.

  • 28.03.2024 14:45 | Anonymous member (Administrator)

    June 6, 2024, 5:00PM - 7:00PM

    IALS Council Chamber, Institute of Advanced Legal Studies, 17 Russell Square, London WC1B 5DR

    Contact: ials.events@sas.ac.uk 

    Press Freedom and Regulation in a Digital Era: A Comparative Study assesses the extent to which the emergent regulatory model for online news media is shaped by analogies from the past, or rather by a newly prevalent culture of control. By interweaving two distinct strands of analysis - the concepts of press freedom and regulation, and the phenomena of convergence and digitalization - this book examines the challenges for press freedom in the nascent digital news ecosystem. Drawing upon decisions of the European Court of Human Rights and the Court of Justice of the European Union, as well as from German, UK and US case law, this comparative work explores the regulation of the press in the digital era and the impact of the proliferating media laws, policies, and jurisprudence on press freedom.

    Part of the book was written while the author was an ILPC Research Associate. The book launch and panel discussion should be of interest beyond the academy, namely for lawyers and policymakers working in government departments and/or involved with media regulation as well as for campaigners defending press freedom and/or advocating for greater press accountability. The book launch will also be an opportunity for collaboration between the ILPC and CFOM.  

    Panellists:  

    • Mr Adam Baxter (Director of Standards and Audit Protection, Ofcom)
    • Ms Lexie Kirkconnell-Kawana (IMPRESS)
    • Professor Jacob Rowbottom (University College, Oxford)
    • Dr Sejal Parmar (Cardiff University)
    • Dr Irini Katsirea, Centre for Freedom of the Media (CFOM), School of Journalism, Media and Communication, University of Sheffield (author)

    Chair: Mr William Horsley (International Director, CFOM)

    This event is organised in collaboration with the Centre for Freedom of the Media (CFOM) at the University of Sheffield. 

    All welcome- this event is free to attend but booking is required. 

  • 28.03.2024 14:35 | Anonymous member (Administrator)

    Irini Katsirea

    • Provides a cutting-edge analysis of current legislative, jurisprudential, and policy developments of online news media regulation
    • Offers a comparative analysis of the regulation of the online news media across different jurisdictions
    • Provides interdisciplinary insights from legal as well as media, communication, and journalism research

    The processes of convergence and digitalization have altered the technological conditions in which the press operates. More than that, they have altered the environment in which the press stakes its claim to freedom and strives to protect its turf from other media players. The advent of internet-based services and applications has blurred the technological boundaries between the press, broadcasting, and telecommunications, challenging their regulatory silos.

    Press Freedom and Regulation in a Digital Era: A Comparative Study assesses the extent to which the emergent regulatory model for online news media is shaped by analogies from the past, or rather by a newly prevalent culture of control. By interweaving two distinct strands of analysis - the concepts of press freedom and regulation, and the phenomena of convergence and digitalization - this book examines the key implications of digitalization and assesses the challenges for press freedom in the nascent digital news ecosystem. 

    https://global.oup.com/academic/product/press-freedom-and-regulation-in-a-digital-era-9780198858607?q=katsirea&lang=en&cc=gb#

  • 28.03.2024 13:49 | Anonymous member (Administrator)

    University of Southampton

    The University of Southampton is looking for two Lecturers in Digital Media with research interests in Artificial Intelligence to join the Film department. These posts are available from August 1 2024. Details on the role further below.

    Informal enquiries may be addressed to the Head of Film, Prof. Shelley Cobb (s.cobb@soton.ac.uk). Whilst this post is offered on a full-time basis, hours are not a barrier, and we are interested in individuals wishing to work 0.6 FTE and above. 

    You can apply at jobs.soton.ac.uk. REF 2659424AR

    The deadline is May 1, 2024 and we expect interviews to take place June 3rd and 4th.

    The University of Southampton is in the top 1% of world universities and is one of the UK’s top 15 research-intensive universities.  Committed to excellence in all we do, we are growing and investing in our research and people to accelerate our remarkable achievements. With particular focus on four key impact themes chosen to build on the university’s existing strengths and to address the most complex societal and environmental challenges: Artificial Intelligence, sustainability and resilience, decarbonisation and engineering better health, this role is integral to our aim of making a lasting difference.  

    The Film Department at Southampton has an excellent reputation for teaching and research. For REF 2021, 95% of our research was judged ‘world-leading’ or ‘internationally excellent’, and we achieved the highest scores for impact beyond the academy. We have close interdisciplinary links with other members of the School, Faculty and the wider University. Our research-led teaching across film, television and digital media includes modules on history, theory, industry, and cultural studies. 

    The role  

    These posts are REF (Research Excellence Framework) led and require academics with a developing and growing research profile that indicates an

     existing or developing national reputation in their area of expertise, as well as strong potential for participation and/or leadership in grant applications.

    About you  

    You will be capable of engaging with critical questions about the place of artificial intelligence in society from a humanities or social science perspective. Your research agenda will address a larger question of social importance (sustainability, policy/governance, wellbeing or social resilience), and its potential to impact beyond the academy will be an advantage. An ability to teach undergraduate students in modules dealing with digital labour, algorithmic cultures, and automated systems and decision-making processes will be highly regarded, and we are keen to hear from applicants whose teaching and research expertise can productively engage with media industries. The ability of your research to have impact beyond the academy and/or familiarity with computational methods may be advantageous.

  • 28.03.2024 13:45 | Anonymous member (Administrator)

     Editors: Peter Jakobsson, Johan Lindell, and Fredrik Stiernstedt

    Download the book as open access or order a print copy here: https://www.nordicom.gu.se/en/publications/future-nordic-media-model-0

    Content

    Peter Jakobsson, Johan Lindell, & Fredrik Stiernstedt

    Introduction: The future of the digital media welfare state

    Download the chapter here: https://doi.org/10.48335/9789188855893-i

    PART I THE MEDIA WELFARE STATE AND MEDIA POLICY IN THE NORDICS

    Kim Christian Schrøder, Mark Blach-Ørsten, & Mads Kæmsgaard Eberholst

    Chapter 1. Nordic media welfare states from a comparative perspective: Unpacking audience fragmentation and polarisation

    Download the chapter here: https://doi.org/10.48335/9789188855893-1

    Randa Romanova & Mats Bergman

    Chapter 2. Similar media systems, different self-regulation: A closer look at the Nordic media accountability models

    Download the chapter here: https://doi.org/10.48335/9789188855893-2

    Reeta Pöyhtäri

    Chapter 3. Addressing the hate speech issue in the Nordic countries: A challenge for media welfare states or a chance for their revival?

    Download the chapter here: https://doi.org/10.48335/9789188855893-3

    Minna Horowitz & Hannu Nieminen

    Chapter 4. Communication rights and the Nordic epistemic commons: Assessing the media welfare state in the age of information disorder 

    Download the chapter here: https://doi.org/10.48335/9789188855893-4

    Marko Ala-Fossi, Katja Lehtisaari, & Riku Neuvonen 

    Chapter 5. Public service without broadcasting? Conditions for abandoning terrestrial television in Finland 

    Download the chapter here: https://doi.org/10.48335/9789188855893-5

    Lars Julius Halvorsen & Paul Bjerke

    Chapter 6. Cracks in the foundations? Shifting consensual relations in two media fields in Norway 

    Download the chapter here: https://doi.org/10.48335/9789188855893-6

    Birgir Guðmundsson & Valgerður Jóhannsdóttir

    Chapter 7. Iceland’s media policy and the Nordic media welfare model: A fragile support and uncertain future 

    Download the chapter here: https://doi.org/10.48335/9789188855893-7

    PART II BEYOND THE NORDIC MODEL

    Sofie Flensburg & Signe Sophus Lai

    Chapter 8. Public goods and private property: A waltz between Big Tech and the Nordic welfare states 

    Download the chapter here: https://doi.org/10.48335/9789188855893-8

    Helle Sjøvaag & Raul Ferrer-Conill

    Chapter 9. Digital communication infrastructures and the principle of universality: Challenges for Nordic media welfare state jurisdictions

    Download the chapter here: https://doi.org/10.48335/9789188855893-9 

    Nina Kvalheim

    Chapter 10. Who owns the owners? An analysis of ownership patterns in the Norwegian newspaper market

    Download the chapter here: https://doi.org/10.48335/9789188855893-10

    Hallvard Moe, Gunn Enli, & Trine Syvertsen

    Chapter 11. The dark side of the media welfare state: How media policy ignored consumption and climate change

    Download the chapter here: https://doi.org/10.48335/9789188855893-11

    Anne Kaun & Helena Löfgren

    Chapter 12. From media welfare to data welfare: Broadening the scope of media welfare 

    Download the chapter here: https://doi.org/10.48335/9789188855893-12

    Linus Andersson, Martin Danielsson, Malin Hallén, & Ebba Sundin

    Chapter 13. From reality-TV to rurality-TV: Exploring the genre of idealised rural lifestyles in Nordic public service television

    Download the chapter here: https://doi.org/10.48335/9789188855893-13

    Peter Jakobsson, Johan Lindell, & Fredrik Stiernstedt

    Afterword. What’s next for the media welfare state?

    Download the chapter here: https://doi.org/10.48335/9789188855893-a

  • 28.03.2024 13:42 | Anonymous member (Administrator)

    Department of Communication Studies, University of Salzburg (AT)

    Deadline (EXTENDED): May 1, 2024

    The Department of Communication Studies at the University of Salzburg, Austria, invites applications for a tenure track position in research and teaching as an Assistant Professor in combination with a qualification agreement in the field of media structure and platform research. 

    The starting date is scheduled for 1 October 2024. The department strongly encourages qualified female candidates to apply. The application deadline is 1 May 2024. Please find all further information here.

  • 28.03.2024 13:40 | Anonymous member (Administrator)

    September 26-28, 2024

    Piedmont (Italy)

    Deadline (EXTENDED): April 11, 2024

    Dear all,

    This is to let you know that we are accepting panel proposals for the stream Food Media and Communication in the congress of the International Society for Gastronomic Sciences and Studies (ISGSS). As detailed below, we will soon open our call for abstracts as well. The title of this year's congress is Shaping Gastronomy: Regenerating Food Systems and Societies. It will take place in Piedmont (Italy), between the 26th and the 28th of September 2024. For details on our organization, on the congress and its beautiful locations, please follow this link: https://www.internationalgastronomicsociety.org/congress-overview

    Contact (stream): Luca Antoniazzi, l.antoniazzi@unisg.it

    Important Dates

    • Call for Panels (open or closed): Open from 2nd February 2024 to 1st of April 11st April 2024
    • Call for Abstracts (papers and posters): Open form the 15th of April to the 15th of May
    • Early Bird Registration: From 15th May 2024 to 15th July 2024
    • Standard Registration: From 16th July 2024 to 1st September 2024
  • 28.03.2024 13:22 | Anonymous member (Administrator)

    June 24, 2024 (1:30 PM - 2:45 PM)

    Currumbin Boardoom (Star L2), Gold Coast, Australia

    Deadline: April 1, 2024

    Proposers:

    Dr. Lindsay Palmer (University of Wisconsin-Madison, USA)

    Dr Soomin Seo (Sogang University, South Korea)

    Dr. Ruth Moon (Louisiana State University, USA)

    Prof. Saba Bebawi (University of Technology, Sydney, Australia)

    Dr. Saumava Mitra (Dublin City University, Ireland) [Acting as Chair]

    About the workshop

    When conducting journalism research in spaces where groups of humans are experiencing marginalisation, the academic researcher and human research subjects necessarily encounter each other on an unequal plane of power and privilege. While critiquing the power imbalances between Western journalists and their news subjects, or their non-Western colleagues working alongside them, journalism scholarship in this area remains largely silent about its own problematic position vis-à-vis the actors it studies in liminal spaces.

    To address this silence, we are organising a Blue Sky Big Ideas workshop for attendees of ICA 2024 in Gold Coast, Australia. The workshop will facilitate a dialogue among a diverse group of researchers who have previously conducted fieldwork among journalists and journalism-adjacent workers in liminal spaces, particularly those in the Global South but also in other relevant marginalised contexts. It will also include those who might be planning such fieldwork. The participants will come together to reflect on their own practices as researchers, and engage with each other to find common ground across their various positionalities, identities and experiences. The aim of the workshop will be to outline the inequities and imbalances which scholars need to be aware of in their work.

    How to join

    The workshop will be open to 10 interested participants apart from the initial proposers. Please write to Saumava Mitra (saumava.mitra@dcu.ie) to express your interest by 01st April 2024 with a short rationale of 75 words outlining why you would like to participate. Scholars based in ICA-designated tier B or C countries and early career or student scholars planning fieldwork in marginalised research contexts will be prioritised as workshop attendees.

  • 21.03.2024 17:32 | Anonymous member (Administrator)

    Journal of Greek Media and Culture (special issue)

    Deadline: May 15, 2024

    Since the publication of Richard Dyer’s Stars (1979), which initiated the beginning of scholarly enquiry into film stardom, star studies have been constantly evolving and expanding. While most early work on stardom focused on issues of representation and the ideological significance of film stars, or their role in the industrialisation of Hollywood cinema, the field has expanded across film, TV and media studies, adopting new areas of investigation and methodological approaches, including work on the nature of fame and celebrity (Holmes & Redmond 2007; Holmes & Negra 2011), empirical audience research (Herzog & Gaines 1991; Stacey 1994), acting and performance (Naremore 1988; Hollinger 2006; Baron 2018), as well as national and transnational stars and stardoms (Vincendeau 2000; Landy 2010; Meeuf & Raphael 2013; Yu & Austin 2017; Lawrence 2020). 

    Meanwhile, Greek film studies have been experiencing an exponential growth in both the Greek- and English-language academe. However, while popular Greek cinema has been reclaimed as a serious object of academic study for some time now, the phenomenon of stardom in Greece has not enjoyed a similar academic reappraisal, despite its acknowledged centrality in Greek cinema and beyond. It is primarily in connection with Old Greek Cinema (Kourelou 2020; Karalis 2015; Potamitis 2013; Kartalou 2011; Kyriacos 2009), genre (Papadimitriou 2009, 2004; Eleftheriotis 1995) and, to a lesser extent, acting (Lykourgioti 2017; Dimitriadis 2008; Kourelou 2008) that Greek film criticism has recognised the role of stardom. Beyond these contexts, there has been a considerable lack of critical engagement with the diachronic manifestation and development not only of stardom but also of celebrity.

    This issue aims to lay the groundwork for a wide-ranging debate on the subject that will improve our understanding of stardom in Greece. The issue, however, does not seek to simply celebrate individual stars, unearth their biographies or elaborate on the types they embody. Rather, our concern is with exploring theoretical issues individual or groups of stars raise, the kinds of identities and meanings they personify, as well as the ways in which they negotiate the values and contradictions of their era. At the same time, we are not only interested in revealing the textual significance of stars in specific historical contexts, but also their political economy and discursive construction. Some of the lines of enquiry we would particularly like to pursue revolve around the following questions: how has stardom evolved historically in Greece? Does cinema still provide the ultimate confirmation of stardom, as Christine Gledhill (1991) claimed in relation to Hollywood stars more than three decades ago? How have media technologies (from TV and VHS to social media) impacted not only the way stars emerge, but also the way their fame has been conceptualised and their fans engage with them? How can we understand Greek stardom in nationally and culturally specific terms as well as through the way it intersects with other – dominant or peripheral – transnational contexts? What ideas about personhood do stars articulate, how do these change over time and how do they help audiences make sense of themselves and the (Greek) world?

    In order to reveal the multitude of stardoms in Greek film, TV and media, we invite (but do not limit) proposals on the following topics: 

    • Histories of stardom and celebrity
    • Stars and genre
    • Stars and film style
    • Stars, gender and sexuality
    • Stars, ethnicity and race
    • Stars and the nation
    • Star labour
    • Ageing
    • Acting and performance
    • The relationship between studios and stars; auteurs and stars
    • The interconnectivity between theatrical, film and/or TV stardom
    • Non-film stardom
    • Cult stardom
    • Reception and spectatorship: stardom and film criticism; the role of the audience (and different types of audiences) and how they make use of star images 

    Please send a title, 300 word abstract and a short biography to Dr Olga Kourelou (kourelou.o@unic.ac.cy) and Dr Lydia Papadimitriou (editorJGMC@gmail.com) by 15 May 2024. The final articles should be around 6000-8000 words, and submitted to the editors by 1st November 2024.

    --

    Information about the call can also be found here:

    https://www.intellectbooks.com/journal-of-greek-media-culture#call-for-papers

  • 20.03.2024 12:38 | Anonymous member (Administrator)

    Nordic Journal of Media Studies, Vol. 7 (2025) 

    Deadline: April 3, 2024

    Editors:

    • Anne Jerslev (University of Copenhagen): jerslev@hum.ku.dk
    • Mette Mortensen (University of Copenhagen): metmort@hum.ku.dk

    Important dates:

    • Deadline for extended abstracts: 3 April 2024
    • Deadline for full submissions: 1 September 2024
    • Peer review: October 2023–December 2024
    • Expected publication: Spring 2025

    Background and aim

    Influencers wield significant social, political, and economic influence, as they have transformed from micro celebrities (Senft, 2008; Jerslev, 2016) and other Internet celebrities from the 2000s, operating at the intersections of authenticity and performance, creativity and commerce. Influencers navigate the realms of everyday life, entertainment, and politics, cutting across mainstream cultures and subcultures, the national, the Nordic, and the international (see, e.g., Abidin et al., 2020). Over the past decade, influencers have taken a central stage on YouTube, Instagram, TikTok, and other social media, on which they “make a living from being celebrities native to and on the Internet” (Abidin, 2018: 1). In their pursuit of sustained visibility, influencers construct relatable narratives and project identities and sets of values that are recognisable and desirable to followers. Most influencers adopt commercial marketing strategies; they are managed by influencer agencies and create themselves as brands by performing scenes from their relatably ordinary or (more or less) admirably extraordinary lives. Some influencers promote commodity goods to monetise on these self-branding strategies (Jerslev & Mortensen, 2023: 336), or they receive compensation from social media networks such as YouTube relative to the number of likes and followers they generate. Meanwhile, other influencers are driven by political objectives, functioning primarily as content creators and using their platform visibility to gain political impact (Lewis, 2020; Riedl et al., 2023). Influencers strategically appeal to specific target audiences defined by demographics such as age, life phase, gender, race, nationality, and more, or by shared interests in areas like gaming, fashion, financial investments, lifestyle, health, beauty, environment, sports, home handicraft, family life, food, pets, religion, and so forth.

    Influencers cover a great span: Far-right female influencers project traditional family values as a form of empowerment and agency (Askanius, 2022) or advocate anti-establishment in the context of the Nordic welfare state (Mortensen & Kristensen, 2023). Meanwhile, on the other end of the spectrum, feminist influencers advocate pro-choice and other women’s rights. Some influencers actively contribute to shaping narratives and discourses on wars by reporting from their daily life in conflict zones or propagate political opinions and calls for action. Others, like migrants, document their fearful journey towards a distant goal (Turkewitz, 2023). Others again use their popular cultural persona to promote issues related to the environment and sustainability (Schmuck, 2021). And many influencers perform catchy dances or dead-pan, comical scenes for younger audiences, who consume entertainment and information largely driven by promotional and commercial interests, but are, perhaps, also able to seek out role models fine-tuned to the formation of their own identities.

    With this issue of Nordic Journal of Media Studies, we invite scholars to explore the following questions: How can we understand and measure the social, cultural, economical, and political power and impact exerted on and by followers? What does it mean to “follow” an influencer? What do online relationships and personal affective attachments to influencers mean to people in their everyday lives? Is it possible to be an influencer and, for example, an activist simultaneously in a digital economy guided by algorithmic logics (cf. Scharff 2023)? Which narratives of self are constructed by different influencer profiles?

    Themes include but are not limited to the following:

    • Influencers and performance of values in relation to, e.g., gender, politics, culture, etc.
    • Influencer economies and digital labor
    • Influencers and marketing – business models, influencer agencies, self-branding strategies
    • Influencers and regulation, e.g., in a Nordic context
    • Influencer culture and gender
    • Children and TikTok – patterns of consumption, influencers as role models
    • Influencers as sources of news and information, e.g., in the context of Nordic public service media
    • Influencers and religion, e.g., in relation to worship and authority
    • Influencers, politics, and politicians
    • Influencers and cross-media communication (media, channels, genres)
    • Influencers and followers – forms of communication, parasocial interaction, and affect
    • Influencers, celebrity, and fandom
    • Influencers and the construction and commodification of authenticity
    • Influencer engagement and engagement measurement
    • Methodological approaches to the analysis of influencer accounts and following

    We welcome theoretical, empirical, analytical contributions, and so on, just as we encourage interdisciplinary work and collaborative research produced with non-academic partners.

    Literature

    Abidin, C. (2018). Internet celebrity: Understanding fame online. Emerald Publishing. https://doi.org/10.1108/9781787560765

    Abidin, C., Steenbjerg Hansen, K, Hogsnes, M., Newlands, G., Nielsen, M. L., Nielsen, L. Y., & Sihvonen, T. (2020). A review of formal and informal regulations in the Nordic influencer industry. Nordic Journal of Media Studies, 2(1), 71–83. https://doi.org/10.2478/njms-2020-0007

    Askanius, T. (2022). Women in the Nordic resistance movement and their online media practices: Between internalised misogyny and embedded feminism. Feminist Media Studies, 22(7), 1763–1780. https://doi.org/10.1080/14680777.2021.1916772

    Jerslev, A. (2016). In the time of the microcelebrity: Celebrification and the YouTuber Zoella. International Journal of Communication, 10, 5233–5251. https://ijoc.org/index.php/ijoc/article/view/5078

    Jerslev, A., & Mortensen, M. (2023). Celebrity news online: Changing media, actors, and stories. In S. Alle (Ed.), The Routledge companion to news and journalism (pp. 334–342). Routledge. https://doi.org/10.4324/9781003174790

    Lewis, R. (2020). “This is what the news won’t show you”: YouTube creators and the reactionary politics of micro celebrity. Television & New Media, 21(2), 201–217. https://doi.org/10.1177/1527476419879919

    Mortensen, M., & Kristensen, N. N. (2023). At the boundaries of authority and authoritarianism in the welfare state: News coverage of alt. health influencers during the Covid-19 pandemic. Javnost – The Public, 30(1), 35–50. https://doi.org/10.1080/13183222.2023.2168442

    Riedl, M. J., Lukito, J., & Woolley, S. C. (2023). Political influencers on social media: An introduction. Social Media + Society, 9(2). https://doi.org/10.1177/20563051231177938

    Scharff, C. (2023). Are we all influencers now? Feminist activists discuss the distinction between being an activist and an influencer. Feminist Theory. OnlineFirst. https://doi.org/10.1177/14647001231201062

    Schmuck, D. (2021). Social media influencers and environmental communication. In B. Takahashi, J. Metag, J. Thaker, & S. E. Comfort (Eds.), The handbook of international trends in environmental communication (pp. 373–387). Routledge. https://doi.org/10.4324/9780367275204

    Senft, T. (2008). Camgirls: Celebrity and community in the age of social networks. Peter Lang.

    Turkewitz, J. (2023, December 20). Live from the jungle: Migrants become influencers on social media. New York Times. https://www.nytimes.com/2023/12/20/world/americas/migrants-tiktok-darien-gap.html#

    Procedure 

    Those with an interest in contributing should write an extended abstract (max. 750 words) where the main theme (or argument) of the intended article is described. The abstract should contain the preliminary title, five keywords, and a rationale for how the article fits within the overall aim of the issue.  

    Send your extended abstract to Mette Mortensen (metmort@hum.ku.dk) and Anne Jerslev (jerslev@hum.ku.dk) by 3 April 2024. 

    Scholars invited to submit a full manuscript (6,000–8,000 words) will be notified by e-mail after the extended abstracts have been assessed. All submissions should be original works and must not be under consideration by other publishers. All submissions are submitted to Similarity Check – a Crossref service utilising iThenticate text comparison software to detect text-recycling or plagiarism.  

    After the initial submission and review process, manuscripts that are accepted for publication must adhere to our guidelines upon final manuscript delivery. You may choose to use our templates to assist you in correctly formatting your manuscript.  

    About Nordic Journal of Media Studies 

    Nordic Journal of Media Studies is a peer-reviewed international publication dedicated to media research. The journal is a meeting place for Nordic, European, and global perspectives on media studies. It is is a thematic digital-only journal published once a year. The editors stress the importance of innovative and interdisciplinary research, and welcome contributions on both contemporary developments and historical topics. 

    About the publisher  

    Nordicom is a centre for Nordic media research at the University of Gothenburg, supported by the Nordic Council of Ministers. Nordicom publishes all works under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 (CC BY-NC-ND 4.0) licence, which allows for non-commercial, non-derivative types of reuse and sharing with proper attribution. All works are published Open Access and are available to read free of charge and without requirement for registration. There are no article processing charges for authors, and authors retain copyright. 

    Link to the call on Nordicom’s website: https://www.nordicom.gu.se/en/latest/news/call-papers-influencers-entertainment-politics-and-strategic-online-culture 

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