European Communication Research
and Education Association
October 29, 2019
Deadline: March 15, 2019
Official website of the workshop: https://www.ecreadmm.com/iic-workshop
This year the YECREA section of International and Intercultural Communication (IIC) welcomes Dr. Kate Wright, in the context of the Digital Fortress Europe Conference, to host a workshop for doctoral researchers, working in the fields of international journalism, humanitarian communication and news production processes in and about the African continent.
The aim of the workshop is for young scholars to find their own voice and mark their urgent contributions to the fields of International and Intercultural Communication. Considering the young and interdisciplinary nature of these fields and the changing landscape of media and communication technologies, it is crucial for young researchers to situate themselves in relation to existing literature and research, as well as to explore new ways of thinking about our respective research topics. This year’s YECREA activity does not only give young scholars an opportunity to get feedback from an internationally acclaimed scholar and peers, but it also aims to provide them with a set of tools which will help to think thoroughly about their own unique contribution to the field.
Dr. Kate Wright is a Chancellor’s Fellow at the University of Edinburgh in the Cultural and Creative Industries. She is a former award-winning journalist, who worked at the Africa-desk for the BBC. In 2018, she published her book ‘Who’s reporting Africa now? Non-governmental organizations, journalists and multimedia’ for Peter Lang.
The workshop will take place on 29 October 2019 in Brussels, Belgium at the Free University of Brussels (Vrije Universiteit Brussel, VUB). This workshop precedes and will take place in the context of the two-day conference “Digital Fortress Europe: Exploring Boundaries between Media, Migration and Technology” (on 30 and 31 October 2019 in Brussels). Although it is recommendable to participate in both, you can also only submit for the conference or for the workshop as well. The workshop is open for ten participants. Further, the workshop does not involve any fee, and coffee and tea will be provided both during the morning and afternoon sessions.
General schedule for the day:
1. Morning session:
An introduction by Dr. Kate Wright on the biggest challenges in the field.
Five participants will have the opportunity to present their research project and get feedback from Dr. Kate Wright. Considering the theme of the workshop, the presentations are expected to focus on the main findings and the theoretical and methodological claims in relation to these. Overall, the session aims to help the researchers to identify their strengths and weaknesses, situate themselves better within the field and be more precise about the main outcome and contribution of their research.
2. Afternoon session:
Five participants will have the opportunity to present their research project and receive feedback from Dr. Kate Wright, followed by a general brainstorm/discussion moment on the most effective ways to address limitations of our research, to present our findings/analysis and to think together about how we can ensure that our research projects are relevant and distinctive.
The PhD workshop is organized by the European Communication Research & Education Association’s (ECREA) International & Intercultural Communication (IIC) section in collaboration with ECREA’s Diaspora, Migration & the Media (DMM) section.
The application process
It is required that the applicants submit a paper about their research project or about a specific study that is part of it (1000-2000 words), situated in the fields of International and/or Intercultural Communication, to Elke.Mahieu@UGent.be and David.Ongenaert@UGent.be before 15 March 2019.
Submission results are sent out via email at the end of April. Papers should be saved as a Word file, and include full name of the author, institutional and departmental affiliation and contact details (email and institutional postal address). Further, the paper should include:
If you would have any further questions/comments, please do not hesitate to email the main organizers of this workshop on the following email addresses:
Elke Mahieu, Ghent University, ECREA IIC young scholars representative, Elke.Mahieu@UGent.be
David Ongenaert, Ghent University, ECREA IIC young scholars representative, David.Ongenaert@UGent.be
July 1-2, 2019
Deadline for abstracts: March 15, 2019
A selection of papers presented at the symposium will be published in a special issue of the journal Information, Communication & Society (iCS).
This two-day symposium held under the auspices of the journal ‘Information, Communication & Society’ (iCS) considers the shifting terrain of contemporary democratic politics. Over the course of this decade, a wave of popular discontent swept across much of the world, stoked by the financial crisis, the ensuing austerity and deep disenchantment with political institutions in both liberal democracies and autocracies. Social movements channelled and articulated aspirations for greater democratic accountability and participation, more equitable economic policies, greater concern for social welfare and climate change. Against a secular decline in party membership, voter turnout and institutional trust, movements have rekindled a participatory imaginary challenging the status quo of many democratic countries.
Criticized for a supposed inability to enact the political and social change they advocated, social movements were harbingers of a new political vehicle, the movement party. The rise and electoral success of party movements—from Podemos in Spain, to Cinque Stelle in Italy, Jobbik in Hungary, Momentum in the UK or La Republique en Marche in France—captured aspirations for progressive change as well as anger and anxieties about globalisation, migration and the socio-economic and cultural upheaval that such processes have wrought. Occupying the breadth of the ideological spectrum—from the far right to the radical left—these movements put forward a radical criticism of political or media institutions, advocating participatory as well as populist reformulations of notions of citizenship, civic practices and organisational structures. Against the odds, they have scaled up, endured and have the potential to become entrenched despite the initially limited resources available to them. Notwithstanding their ideological differences, digital media appear to have provided important opportunities for the emergence of techno-populist ‘connective’ movements and parties in media systems largely unfavourable to them, thereby posing renewed challenges to incumbents.
Considering the above, the symposium will grapple with such questions as: what does the rising prominence of social and/or party movements mean for democracy? What are the consequences of their rise for representative democracy? What explains their presence on both the left and the right of the political spectrum? How does their digital media use bear on their organisational structures and cultures or their relationship with the media?
The symposium invites scholars and other informed observers to present papers discussing how over the last decade, social movements, party movements and other collective actors emerging in the fractured contemporary media landscape have produced knowledge, learn and develop new or overhaul existing participatory cultures and techno-populist identities; congeal competitive political agendas that challenge established political positions; rekindle trust and even faith in political leadership and democratic governance; (re)shaped (un)conventional citizenship norms, practices and action repertoires, harnessing affordances of self-publication technologies, data analytics and news media values to maximize their visibility, appeal and reach while also at times critiquing the dominant commercial logics of media and social media companies.
Building on these considerations, we encourage submissions that address but are not limited to the following aims:
We invite 500-word abstracts outlining empirical, theoretical or policy-oriented papers that address these or cognate topics. The abstract should point to study conclusions. It should be accompanied by a 100-word biography of the presenter(s) together with contact details.
Abstracts/biographies/contact details should be emailed to Dan Mercea (email@example.com).
All papers presented at the symposium will receive comments from a discussant. Following the symposium, paper authors will be invited to submit their manuscripts for publication in a special issue of the journal Information, Communication & Society.
More info: http://cosmos.sns.it/news/call-for-papers-social-movements-and-parties-in-a-fractured-media-landscape/.
August 4-17, 2019
University of Oxford
Deadline: April 20, 2019
Early Decision Deadline: March 19, 2019
This year’s Media Policy Summer Institute will be held from August 4-17, 2019.
For the past twenty years, the Media Policy Summer Institute has brought together top early career scholars (including advanced PhD students, post-docs and lecturers), media lawyers and regulators, human rights activists, and policymakers from countries around the world to discuss the effects of technology, media, and policy from a global and multidisciplinary perspective. Participants have the opportunity to take part in an intensive and interdisciplinary two-week program in Oxford that blends expert instruction with participatory activity, group work, and discussion.
For more details on the application process see our website or contact us at: firstname.lastname@example.org.
July 22-27, 2019, Zeppelin University
Friedrichshafen, Lake Constance, Germany
The forthcoming Summer Institute will discuss the opportunities and challenges to the idea of “publics” brought forth by new communication and media technologies. It builds on Raymond Williams’ idea of a “long revolution” of culture in the course of economic and political changes and expands it to the digitalization of “public spheres”, in which these interactions become visible. Using online resources, such as social network sites, citizens can participate in public discourse and make their voices heard on political issues, thus making the public sphere more diverse. Easily accessible media technologies, such as weblogs and podcasts, enable and empower their users to produce media content, which might subvert hegemonic ideas and challenge asymmetrical power relations. Nevertheless, changes in communication technologies also bear challenges to public spheres: For example, in the course of the fragmentation of the public sphere and the segmentation of its audiences, the practices and norms of public communication become particularistic as well. Online, especially through social network sites, non-democratic ideologies equally get the opportunity to reach a wider audience through malevolent hackers or automated bots. Questions of public control and media regulation arise, as hate speech and fake news become part of the digital vernacular language.
The Summer Institute will provide a sustained opportunity for critical reflection on the cultural, technological and political trajectories of digitalization that might enable or endanger publics and public spheres. Working at the intersection of Cultural Studies and Media and Communication Studies, we will analyze recent changes in interpersonal and mediated communication and their implications for future societies and media cultures.
The Institute will provide an intense and rewarding academic experience for postgraduate students and postdoctoral researchers who will have the opportunity to spend the week attending a variety of seminars and lectures. Five keynote speakers and a faculty staff of leading Cultural Studies scholars from around the world will provide further comprehensive insights to the cultural and political consequences of the digitalization of the public sphere.
The key speakers represent the global perspective on the subject and include Tanja Thomas (University of Tübingen), Margie Borschke (Macquari University Sidney); Adam Haupt (University of Cape Town), Rolien Hoyng (The Chinese University of Hong Kong), Eric Maigret (Université Sorbonne Nouvelle) and Tanja Thomas (University of Tübingen).
The faculty members are representatives of European and German Cultural Studies and include Janneke Adema (Coventry University), Ursula Ganz-Blättler (University of St. Gallen), Udo Göttlich (Zeppelin University), Martin R. Herbers (Zeppelin University), Lothar Mikos (Filmuniversität Babelsberg), Giulia Pelillo-Hestermeyer (University of Heidelberg), Aljoša Pužar (University of Ljubljana), Gilbert B. Rodman (University of Minnesota), Helene Strauss (University of the Free State, Bloemfontein), Jeffrey Wimmer (University of Augsburg), Carsten Winter (Hannover University of Music, Drama and Media), Rainer Winter (University of Klagenfurt), Matthias Wieser (University of Klagenfurt), and Sebastian Rauter-Nestler (University of Klagenfurt).
The overall participatory and informal character of the Summer Institute will give voice to the participants by offering a forum which addresses issues related to their own work specifically on the topic of “the future of publics” as well as issues of general interest. In addition, social activities from receptions and meals to informal gatherings will provide opportunities for participants, lecturers and organizers to intermingle and stimulate further conversation. The Summer Institute takes place at Zeppelin University in Friedrichshafen, Germany. Set against the beautiful backdrop of Lake Constance and the German, Austrian and Swiss Alps, participants will further enjoy a varied social program.
Please find further information on participation, fees, accommodation and the travel process on our website: http://www.zu.de/acssi2019
June 7, 2019
University of Manchester
Deadline: March 17, 2019
This conference calls for papers on the subject “identity in times of change”. The crisis of 2008 has unleashed a wave of social changes over the last decade, as well as exacerbating existing problems. The economic crash precipitated a wave of social crises, protest movements and political instability. The ephemeral hope of the Arab Spring in the Middle East turned to sectarianism and unforeseen wars. The rise of refugee mobility has engendered new political discourse.The last ten years have seen the impact of austerity and displacement; Occupy, Yellow Vest and Me Too; the rise of populism and the decline of neoliberal economics. Alongside this, escalating climate change and ominous predictions of future disaster have created a sense of constant crisis.
Amid the chaos, we are interested in how these macro level phenomena have impacted on the way people see themselves and each other. We want to take this opportunity to understand how identities are shaped, negotiated and perceived within new social realities. We also want to explore how new identities and identity claims can be used to create new social realities, or alter existing social relations.
We would like this conference to be an opportunity to share methodological approaches to identity research, and consider new ways forward. Both theoretical work on identity and empirical case studies are welcomed and encouraged.
This conference invites papers that focus on various aspects of the following thematic areas:
10th Annual Small Cinemas Conference,
September 25-27, 2019
Deadline (extended): March 18, 2019
The 10th Annual Small Cinemas Conference will take place at ICS-ULisboa in Lisbon, Portugal, between 25 and 27 September 2019. On the topic of ‘Small Cinemas, Small Spaces’, the conference will be centered on issues of scale and spatiality in film, with the aim to explore the geographies of small cinemas. The call for papers is open for individual presentations of maximum 20 minutes, as well as for pre-constituted panels with a maximum of three presentations each. Proposals should be submitted via email to email@example.com by Monday 18 March 2019, and include a title, an abstract of maximum 250 words, and a short bio note. The conference’s languages will be English and Portuguese.
‘Small Cinemas, Small Spaces’ aims to discuss matters of space in the cinemas of small nations, with regards to representation, the materiality and marketing of film locations, and film production, viewing and exhibition practices in peripheral film cultures. The event also wishes to bring together scholars exploring notions of space and scale in film, by considering what can be the small spaces of cinema, from early cinematic attractions to the recent dissemination of individual screens and broadcasting digital platforms.
Topics for discussion may include, but are not limited to:
More information about confirmed keynote speakers, see here.
For any questions, please write to the conference organizers at firstname.lastname@example.org.
Registration fee will be a maximum of €50, which includes lunch and coffee breaks.
Deadline: April 3, 2019
Job reference REQ190207
Package: Specialist and Supporting Academic
Grade 6, £30,395 to £36,261 per annum, at a starting salary to be confirmed on offer of appointment. Subject to annual pay award.
School of Social Sciences, Loughborough University
Full-time fixed-term position for 24 months
The Department of Social Sciences is seeking to appoint a Research Associate to work with Dr Vaclav Stetka (PI) and Professor Sabina Mihelj (Co-I) on a new ESRC-funded research project "The Illiberal Turn? News Consumption, Political Polarization, and Democracy in Central and Eastern Europe". Combining survey data, digital tracking of media consumption, as well as media diaries and qualitative interviews, the project will carry out a systematic study of news consumption and political polarization in Poland, Czechia, Hungary and Serbia, at a key point in time when the region is witnessing the rise of populist leaders, resurgence of illiberal nationalism, and a shift towards authoritarian forms of government.
The primary responsibilities of the Research Associate involve quantitative data collection, analysis and management. The researcher will participate in designing of a representative population survey and carry out analyses of the data, including the use of advanced statistical methods. The successful candidate will also assist in gathering of secondary data relevant for the understanding of political and media systems of the countries studied by the project, co-author some of the publications, contribute to impact activities, and lead on website and social media development. Proficiency in one of the local languages (Czech, Polish, Hungarian, Serbian) is an advantage.
The successful applicant for the this post will be an experienced researcher with postgraduate training in sociology, media/communication studies, political science or another related discipline (PhD, or very close to completion), and with an experience in quantitative social science methodologies, particularly surveys, as well as in quantitative data analysis, including advanced statistical techniques.
Informal enquiries should be made by email to Dr Vaclav Stetka, V.Stetka@lboro.ac.uk
Closing date: 3 April 2019
Interviews (including presentation) will be held on: 16 April 2019
Please follow this link for further details.
Ekhprasis (Vol. 22, Issue 2/2019)
Deadline (extended): March 25, 2019
Issue editors: Fátima Chinita and Liviu Lutas
From times immemorial people have been telling stories to one another; humanity at large as well as entire civilizations have been built open this storytelling impetus. First orally, later through other media and art forms, stories have spread among cultures, eras, and generations engaging an ever-growing dissemination. Technical and technological developments have helped in this enterprise, across a vast array of long-lasting and canonical art forms as well as more popular and recent ones.
Film is precisely at that intersection, which makes it a privileged form for media confluences at the service of narrative spreading.
But how does this dialogue between film and other media and/or art forms operate? How are stories conveyed form the former to the latter(s), and vice versa? To what purpose and through what means?
What, if anything, changes in that transposition, and what remains the same? How does creativity work at this border-crossing and exactly what does it entail? How can film and other media be contained in or influence one another, not just in fictional-oriented works, but also, in keeping up with the times, in more factual and self-representative artistic outputs?
Volume 22, issue 2/2019 of Ekphrasis looks for novel and creative approaches on film and mediality at large, be it dual-, multi-, -inter or transmediality. We aim to contribute to the reflection on media collaboration from the perspective of the content, i.e. the subject of the films and other art works, i.e., its narrative aspects, whether fictional or not. This, of course, is highly influenced by the nature of the media/arts involved.
Therefore, we will prioritize submissions that are solidly grounded on theoretical work already published on this field and that combine the argument on content with the requirements made by the different media/arts involved.
Suggested Topics: (not limited to this sample)
Deadline for abstracts of between 700 and 1000 words: MARCH 25, 2019.
Acceptance notice: April 15th 2019.
Final submission is due AUGUST 30th 2019.
Date of publication: DECEMBER 30th 2019.
Both proposals and final texts should be in English and should follow the style sheet available on our website.
The final submission should include: a 5,000-8,000-word article, including a 150-word abstract, 5-7 keywords, a list of references (only the cited works) and a 150-word author's bio. Proposals and final submissions should be formatted as
Word documents and sent to: email@example.com and firstname.lastname@example.org
The articles should be original material not published in any other media before.
The Nineteenth IALIC Conference: Translating Cultures. The Culture of Translating
November 21-23, 2019
University Of Valencia, Valencia, Spain
Deadline (extended): March 24, 2019
The 2019 Conference of the International Association for Languages and Intercultural Communication (IALIC) will be held at the Universitat de València (Spain), 20-22 November, 2019, with the aim of providing a forum for research in the field. The conference theme, Translating Cultures, Cultures in Translation, emerges principally from the idea that it is people who co-construct their culture(s) through intercultural communication and everyday encounters. Cultures are therefore not static, but are always on the move; nor are cultures homogenous, rather they are diverse and multifaceted. In other words, cultures are always ‘in translation’ or moving from one location to another; similarly, cultural frameworks are always permeable and subject to change under the mutual contact that takes place between individuals.
This conference will therefore explore the relationship between cultures and translation understood not only as encounter, co-construction, negotiation change and movement, but also as a means of explicating and interpreting the world. Intercultural interactions take place both in ordinary circumstances such as school, the workplace or everyday life, and also in exceptional situations such as those brought about by forced or voluntary displacements. In these circumstances, cultural difference can be signified by the language used in relation to gender, sexuality, age, food, dress, social mores or other characteristics which become salient in these interactions. In this, structural agents of power and change, such as educational institutions, governmental and other administrative agencies, as well as political regimes and agendas – forces which can be both productive of and resistant to diversity, difference and individual agency – will also be subject to scrutiny. In these circumstances, the conflicting demands of intercultural exchange and intercultural difference can lead not only to the flaring up of clashes and misunderstandings, but also to the silencing of individuals’ voices and the denial of their identities. Thus intercultural communication, dialogue, negotiation and mediation are all necessary in order to overcome and resolve confrontational situations that might give rise to intolerance and injustice of all persuasions.
The conference will also engage with the diversity of cultural narratives and texts – fictional and non-fictional, poetic and prosaic, imaginary and autobiographical, visual and performative – through which (inter)cultural encounters can be critically engaged with, reflected upon and interpreted. In so doing, we will explore the different formats and platforms which can be used for communication, including images, performance, media, film, performing arts and music. As people shape and reshape their own culture(s), novel theoretical, methodological and pedagogical approaches to intercultural communication arise. This forum therefore seeks to embrace not only the reassuringly conventional, but also new forms of intercultural expression that are emerging.
Topics of interest include, but are not limited to, the following:
John Corbett – University of Sao Paulo (Brazil).
Sandra López Rocha – University of Waterloo (Canada).
Isabel Moreno López – Goucher College (USA).
Roberto Valdeón – Universidad de Oviedo (Spain).
Conference Presentation Types
Paper presentations (20 minutes + 10 minutes for discussion).
Roundtable sessions (90 minutes).
PhD candidates’ presentations (15 minutes + 15 minutes for discussion).
Presentation of Abstracts
We invite submission of proposals by 28 February, 2019.
For paper presentations: Abstract (300 words + five key references).
For roundtable sessions: We welcome proposals for roundtables of three / four Panellists will give a short introductory statement of 10-15 minutes and the rest of the session will consist of discussion and debate. To submit a proposal for a roundtable, please send a 100 word abstract summarising the topic and its importance, together with a 100 word abstracts of each speaker (including their names and affiliations), plus details of the roundtable organiser, chair (if different from the organiser), and participants.
For PhD candidates’ presentations: Abstract (300 words + five key references); special sessions will be allocated for these presentations in which there will be two respondents assigned by the scientific committee.
In all cases, please include names and institutional affiliations as you would like them to appear on the name badges and on the conference programme.
The official language of the conference is English.
Abstracts should be submitted by email as an attached word document (a template can be found on our webpage) to email@example.com and firstname.lastname@example.org.
Abstracts will be reviewed by the conference scientific committee.
Three scholarships will be offered to ‘early career’ researchers or doctoral students, particularly those coming from the Global South, consisting of the conference fees and accommodation for maximum 4 days in budget hotel or university halls of residence. Please see relevant documents on the conference website.
María José Coperías-Aguilar (Universitat de València – IALIC).
Juan José Martínez-Sierra (Universitat de València – CiTrans).
May 31-June 2, 2019
University of Bucharest
Open to senior and junior scholars of political research from social sciences and humanities, as well as to scholars from trans- and interdisciplinary areas relevant for political research.
The official languages of the event are English and French. The primary working language is English and we expect most abstracts, papers, presentations and discussions to be in this language. Pre-organized panels or round tables in French may be also accepted.
A red trail of public actions fuelled by self-aggrandizing visions, often in the detriment of evidence-based arguments, seems to haunt the current political climate, especially in regions where democratic values were long-established or where during the last decades they appeared to have a chance to flourish. From emotionally-burdened and highly costly political gambles such as the Brexit, the Catalan independence or the recent referendums on the definition of family in national constitutions in Central and Eastern Europe to the seemingly never-ending Donald Trump disruptive outbursts and the barely disguised disregards of international norms by populist leaders or authoritarian governments of countries as diverse as Russia, Italy, Syria, the Philippines and Brazil, or to the open political attacks on academic freedom in Turkey and Hungary targeting particularly social sciences, value-driven narratives both echo and amplify the apparent deterioration of the quality of public discourse and of the liberal democracy institutions worldwide.
At discipline level, perhaps still limited by the sometimes insufficiently understood complexity of the concept of value-free science, we seem to have not tackled comprehensively the nexus values-politics for a long time. Not that we have neglected research on values in political research. Political theory, for instance, has a long and robust tradition of investigating the normative dimensions of political phenomena. Global, regional, national and local surveys on values, beliefs and attitudes are the bread and butter of many political researchers and provide data that, over the last decades, has generated vivid debates and a significant part of publications in comparative politics and political methodology. Research on corruption, integrity and public accountability is also present often beyond the borders of scholarly outlets. At the same time, with rapid technological advancements such as social media, artificial intelligence, 3D printing and gene editing, ethics has become an increasingly visible aspect in the study of international affairs, conflicts, international political economy and public policies. However, across the entire spectrum of political science as both discipline and profession, the dialogue on the multifaceted presence of values in politics and contemporary political research is still limited to marginal or formal issues.
Furthermore, with distrust in politicians continuing to remain pervasively high across the world and since political science still faces significant challenges in communicating its social and scientific worth to the larger public, questions on the relevance of studying political phenomena and even whether politics itself got any value are increasingly present in the public space. Under these circumstances, the topic of values in politics forces us to rethink the merits of our own work in a larger context, which addresses both the long-run survival of our discipline and the moral obligations of scholars as citizens, as well as the limits of acting as engaged spectators.
Aiming to explore such scholarly and policy puzzles from various conceptual, empirical and methodological perspectives, while addressing timely case-studies, we invite scholars across different disciplines to submit papers, panels or round table proposals, especially (but not exclusively) around the following core topics:
The best papers may be considered for publication within special journal issues or collective volumes with partner publishers.
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