ECREA WEEKLY digest ARTICLES

June 3-5, 2019

The University of Nottingham (UK)

Deadline: January 31, 2019

Radicalism’ is a concept with a diverse range of applications and ‘radical film’ can be used to describe a wide range of cultural practices. For most of those involved in the Radical Film Network, ‘Radicalism’ refers first and foremost to a political affiliation with the Left and the various traditions that underpin it: from anarchism and socialism to radical environmentalism and struggles for racial, sexual and gender equality. But, radicalism is about aesthetics as much as politics; it is about interrogating the nature of film language, experimenting with the medium and developing new approaches to audio-visual communication.

In keeping with the spirit in which the Radical Film Network (RFN) was founded, this conference aims to bring together the political and aesthetic avant-gardes, with a particular focus on the transnational nature of contemporary radical film cultures. By looking at how radical films are produced, circulated and engaged with in different parts of the world, the conference aims to shed light on the transnational nature of film cultures and the intersecting relationship between political struggle and aesthetic innovation. Bringing together filmmakers and researchers, the conference hopes to create new and consolidate existing connections and networks, facilitate transnational and cross-cultural dialogues, and forge global solidarity among radical filmmakers around the world.

We particularly welcome filmmakers and researchers from the Global South, and contributions engaging with themes in the Global South from individuals and communities both inside and outside of academia. To this end, we may be able to offer a limited number of travel subsidies to participants from underprivileged backgrounds and the Global South. Please get in touch with the conference organisers to check eligibility once more details are announced in the spring of 2019.

Contributions may include, but are not limited to, the following:

• Radical aesthetics and politics;
  
• Political filmmaking and ethical issues;
  
• Class and radical films;
  
• Forms of radical film activism and political agitation;
  
• Programming, distribution and exhibition;
  
• Radical film festivals and audiences;
  
• Radical film history across national borders;
  
• (Self)-Representation, identity and privacy in radical film cultures;
  
• Collaborative and participatory practices in radical film cultures;
  
• Partnerships between radical filmmakers and institutions;
  
• Issues of inclusion/exclusion in radical film cultures;
  
• Radical film cultures, memory, the archive and preservation;
  
• Creativity and innovation in radical film cultures;
  
• Radical films and the proliferation of digital technologies;
  
• Radical film cultures in the Global South;
  
• Radical film cultures and future direction(s)
  

Interested participates are invited to submit proposals for one of the following forms:

• 20-minute presentation
  
• 1.5-hour panel (with 3-4 panellists)
  
• 1-1.5-hour workshop on any aspect of radical film cultures
  

Proposals to a maximum of 300 words (presentation) or two-pages (panel or workshop) should be sent to:

Trfc2019conference@gmail.com

Deadline for call for papers: 31 January 2019

Please address any enquiries to the above address. Details of the complete programme will be announced in due course.

See more on website

July 7-11, 2019

Complutense University of Madrid (Spain)

Deadline: February 8, 2019 (23.59 UTC)

The Popular Culture Working Group of the International Association for Media and Communication Research (IAMCR) invites submissions of abstracts for papers and panel proposals for the 2019 IAMCR conference “Communication, Technology, and Human Dignity: Disputed Rights, Contested Truths”

IAMCR conferences address a wide diversity of topics defined by our 32 thematic sections and working groups. We also propose a single central theme to be explored throughout the conference with the aim of generating and exploring multiple perspectives. This is accomplished through plenary and special sessions, and in some of the sessions of the sections and working groups. The central theme for 2019 focuses on communication, technology, and human dignity.

The year 2018 saw the celebration of the 70th anniversary of the Universal Declaration of Human Rights. At its heart was the premise that everyone had the right to live in dignity. In the intervening years, with the successive growth of television, the explosion of digital media, and the emergence of artificial intelligence, communication systems have become ever more central to organizing every aspect of daily life, prompting renewed attention to questions around their role in both supporting and subverting the exercise of rights and the achievement of universal dignity.

The right to voice and visibility, to have one’s experiences and ideas fairly represented in the heartlands of public culture is now established as a basic human right alongside rights of access to the comprehensive information and analysis that supports individual expression and social participation on a basis of equality, dignity and mutual respect.

Under current conditions these fundamental communication-related rights are under increasing pressure and threat. Control over the organisation of innovations in communication and their applications has increasing passed from governments to corporations. Concern with the public interest and the common good has been increasing displaced by business models designed to maximise revenues. These models are bolstering appeals to consumption while weakening the social contract of citizenship, providing new and largely unregulated platforms for the dissemination of rumour, misinformation and ‘fake’ news, ushering in the era of so called ‘post truth’ and reinforcing social and political polarization

These developments are taking place against a backdrop of rapidly widening inequalities of income and wealth both within countries and between different areas of the world. One visible manifestation of these changes is the escalating volume of migrations driven by political and environmental as well as economic pressures. The resulting expansion in the numbers of refugees and displaced persons poses new challenges for the rights of minorities and for guarantees of personal freedom and full access to citizens’ rights.

With Communication, Technology and Human Dignity as the principal themes, the 2019 Madrid Congress aims to generate a cross-disciplinary debate that brings differing but interacting perspectives to bear on the urgent issues raised by present developments. This objective will be the primary focus of the plenary sessions and special sessions and as in previous years we encourage sections and the working groups to pay particular attention to the core themes in organizing their programs, while not precluding presentations based on recent research and theorizing in other areas covered by their remits.

The objective should not simply be to present new evidence and theorizing on key issues, but to reflect on the situation today in order to suggest how present developments may unfold in future and to engage with the challenges they present for research, policy and action.

At IAMCR Madrid 2019, we aim to analyse the impact of the latest advances in communication technology on society, culture and human rights, giving special importance to the quality and authenticity of sources and messages in view of increased mechanization and artificial intelligence. The context of these problems is how the advance of technology affects the quality of human life, how communication technology affects the objectivity of facts, and how the geopolitical and socioeconomic contexts are affected by the most recent changes in the structure and modes adopted by communication processes.

Present tendencies and scenarios pose urgent questions for individual and social rights. How can communication continue to facilitate human connection, understanding and mutual respect in the face of the ever-increasing technological nature of the media and geopolitical turbulence? How can we define and reflect on our personal and social identities at a time when the emerging technologies and other factors call into question the established notion of “belonging to a nation”?

We are faced then with clear challenges in respect of the quality of communication, the quality of life and human dignity.

We encourage participants to address these issues both from the viewpoint of the predominant communication systems and from those which are arising from the use of the new technologies – artificial intelligence, the growth of automation and robotics, Big Data and the Internet of Things. We also welcome analyses which re-evaluate and take a fresh look at human dignity in respect of geopolitics, the present-day socio-economic context, religion, transparency, accessibility and discrimination, and the re-composition of power, in the overall context of the implications of technology and communication in an interconnected world.

Topics addressing the central theme

The Popular Culture Working Group acknowledges the dynamic character of social, political and cultural changes in relation to communication and in specific to popular culture. It is often in popular culture that the first challenges to the establishment and status quo become visible. We therefore invite abstracts and proposals that explore the following themes:

• Technology and/in popular culture

• Popular representations of resistance

• Gender, race, class and sexuality and identity narratives

• Big data and popular culture

• Popular Culture and the religious imaginaries

• Liminal celebrity, exoticism and identity

• Ethical imaginations in popular culture

• Creating the truth in/by popular imaginaries

• Identity, aesthetics and the popular

• Surveillance and consumer culture

• Datafication, agency and identity

• Commodification of human rights

• Popular representations of human rights crises

• Populism, sustainability and social media

Proposals not mentioned above but relevant to the broad topic area will also be considered.

Submission of Abstracts

Abstracts must be submitted from 3 December 2018 through 8 February 2019. We welcome both individual abstracts and panel presentations.

The Popular Culture Working group will also welcome abstracts for video presentations, as part of an experiment to allow for remote participation. If you wish to submit an abstract for a video presentation, please carefully read the Joint Call for Video Presentations and follow the procedure explained there.

We ask you to kindly submit proposals in good time at the abstract submission site: https://iamcr-ocs.org.

Deadlines and important dates

The deadline to submit abstracts is 8 February 2019, at 23.59 UTC.

• 3 December 2018 - Abstract submission system opens at https://iamcr-ocs.org

• 8 February 2019 - Deadline to submit abstracts

• 28 March 2019 - Abstract decisions announced by sections and working groups

• 7 April 2019 - Deadline to apply for travel grants and awards

• 11 April 2019 - Deadline to confirm participation

• 7 May 2019 - Draft conference programme schedule released

• 14 May 2019 - Last day for Early bird registration

• 7 June 2019 - Deadline for full paper (or video) submission

• 17 June 2019 - Last day for changes to be made in the print version of the programme

• 7-11 July 2019 - IAMCR Conference

Languages

This Working Group accepts abstract submissions and presentations in English only.

Guidelines for abstracts

Abstracts should be between 300 and 500 words. All abstracts must be submitted through the IAMCR Open Conference System. Abstracts sent by email will not be accepted.

It is expected that each person will submit only one (1) abstract. However, under no circumstances should there be more than two (2) abstracts bearing the name of the same author, either individually or as part of any group of authors. Please note also that the same abstract or another version with minor variations in title or content must not be submitted to more than one Section or Working Group. Such submissions will be deemed to be in breach of the conference guidelines and will be rejected by the OCS system, by the relevant Head or by the Conference Programme Reviewer. Authors submitting them risk being removed entirely from the conference programme.

For further information, please consult the IAMCR Madrid 2019 web page or contact the Local Organizing Committee by email: madrid2019@iamcr.org

Evaluation Criteria

Submitted abstracts will generally be evaluated on the basis of:

1. Theoretical contribution

2. Methods

3. Quality of writing

4. Literature review

5. Relevance of the proposal to the work of the Section or Working Group

6. Originality and/or significance

Contact

Tonny Krijnen , co-chair of the Popular Culture Working Group: krijnen@eshcc.eur.nl

Website

St. Petersburg (Russia)

April 16-18, 2019

Deadline extended: January 22, 2019

The 7th International conference 'Comparative Media Studies in Today's World' (CMSTW'2019) is dedicated to analysing world's communication and journalism in comparative perspective. The theme for 2019 is 'Communities. Audiences. Publics', which is to bring together a wide range of scholars in social sciences, communication science, computational disciplines, and humanities.

Since 2013, the conference has gathered experts in comparative media research, including Paolo Mancini, Larry Gross, Silvio Waisbord, Katrin Voltmer, Nico Carpentier, Susanne Fengler, Elena Vartanova, Thomas Hanitzsch, Daya Thussu, Zizi Papacharissi, Karin Wahl-Jorgensen, and many others.

The conference is an integral part of 'Media in Modern World' Annual Forum which will be held by St. Petersburg State University for the 58th time in 2019. Thus, interested audience is ensured, and you may wish to take part in the Plenary Session (with simultaneous translation into English) and all sorts of discussions at the Annual Forum on April 18-19.

A wide variety of publishing opportunities, including Scopus Q1 journals, is offered at the conference.

Deadline: January 22, 2019 (Full paper, short paper, and extended abstract submission)

Deadline: January 22, 2019 (Panel and workshop proposals)

February 15, 2019: Camera-ready papers upload

More information here

Digital Journalism

Deadline: April 30, 2019

Digital platforms and mobile technologies are diversifying the ways in which audiences are exposed to and engage with news, ranging from news avoidance to active news sharing (Newman et al., 2018; Park et al., 2018). Among different types of news engagement, the act of ‘sharing’ encourages the culture of social endorsement where audiences signal to others and are influenced by their social networks in encountering news. This creates a social news environment where audiences are inadvertently exposed to news that may not match their political beliefs or interests (Anspach, 2017). On social media, audiences are oftentimes incidentally exposed to different perspectives and views (Fletcher & Nielsen, 2017; Lu & Lee, 2018; Weeks et al., 2017). Yet, whether they will engage with the news they encounter incidentally is a different matter; news audiences may or may not choose to consume or engage with the news that they have discovered. Exposure to diverse information from counter-attitudinal sources does not automatically lead to the consumption of such information (Anspach, 2017).

In the context of news sharing, there exist two closely linked dimensions. First is the technological affordances offered by digital platforms (Feraj & Azad, 2012; Evans, Pearce, Vitak, & Treem, 2017). Technological affordances can influence news consumers’ levels of news exposure, consumption and engagement. As yet, relatively little is known about the extent to which and how different technological affordances lead to different types and levels of news engagement. This is further complicated by the fact that audience behavior is an outcome of a contextual and multi-faceted relationship between the technology and the user (Evans et al., 2017). The second dimension is the human factors that come into play in the uptake, reception, and sharing of news. Consistent with the theory of selective exposure, how news consumers consume and interact with news are also dependent on their political beliefs (Shin & Thorson, 2017; Stroud et al., 2017). The phenomenon of selective exposure can lead to a decrease in opportunities for news consumers to consume and engage with diverse news and information (Messing & Westwood, 2012; Stroud, 2008, 2010).

On digital platforms, there is a third, moderating factor—social endorsements—that bridges technological affordances and human factors. Social endorsements serve as a heuristic cue that signals news audiences as to which news deserves their attention (Anspach, 2017; Messing & Westwood, 2012). This is a key trend in the digital platform environment among news audiences who interact with others through news sharing.

To date, the link between affordances of digital platforms and news audiences’ selective exposure remains largely unknown as the interplay between technological affordances associated with news engagement and human factors remains understudied. To further develop this area, this special issue of Digital Journalism invites scholars to investigate the interplay between the structural and human factors that influence news consumers’ exposure to and engagement with news. Among different types of digital news engagement, this special issue focuses on news sharing behaviors that epitomize how news consumers interact with technological affordances offered by digital platforms. We welcome quantitative, qualitative and mixed-methods approaches.

Possible topics include, but are not limited to:

• Different types and levels of news engagement;
  
• News avoidance
  
• Passive versus active sharers of news
  
• Public versus private news sharing on social media and messaging apps
  
• How different tones of news stories influence news sharing
  
• Personalized news and its impact on news engagement
  
• Technological affordances of digital platforms and their linkage to sharing of news
  
• Proprietary and non-proprietary news platforms and sharing of news
  
• Socio-demographic and cultural factors that influence news sharing
  
• Social endorsements and news sharing
  
• The interplay between selective exposure and social endorsements
  

Information about Submissions

Proposals should include the following: an abstract of 500-750 words (not including references) as well as background information on the author(s), including an abbreviated bio that describes previous and current research that relates to the special issue theme. Please submit your proposal as one file (PDF) with your names clearly stated in the file name and the first page. Send your proposal to the e-mail address engagingnewsaudiences@gmail.com and sora.park@canberra.edu.au by the date stated in timeline below. Authors of accepted proposals are expected to develop and submit their original article, for full blind review, in accordance with the journal's peer-review procedure, by the deadline stated. Article submissions should target 7,000 words in length. Guidelines for manuscripts can be found here.

Timeline:

Abstract submission deadline: 30 April 2019

Notification on submitted abstracts: 30 May 2019

Article submission deadline: 30 November 2019

ABOUT THE JOURNAL

Deadline: February 1, 2019

Cardiff University School of Journalism, Media and Culture, supported by the ESRC Doctoral Training Partnership for Wales (Wales DTP), invites applications for funded PhD study.

These particular studentships, known as ‘collaborative studentships’, involve liaison with a non-academic organisation, often at many key stages of the research programme. They will commence in October 2019. The following collaborative studentships are available for the “Journalism and Democracy” pathway:

• Journalism, Data Literacy and Democratic Futures (Dr Joanna Redden): MORE HERE
  
• ”End of Life Decisions in the News: Medical Ethics, Law and Democracy” (Professor Jenny Kitzinger): MORE HERE
  

The School of Journalism, Media and Culture is a world leading centre for media teaching and research and offer a wide range of courses at various levels.

The School combines a long standing record of excellence in teaching and training with an outstanding research portfolio routinely winning awards from a range of bodies. This reputation was recently recognised in the 2014 Research Excellence Framework (REF), which ranked the School 2nd for the quality of its journalism, media and communications research when compared with 66 other institutions in the UK. 89% of the School’s research was classed as ‘world leading’ or ‘internationally excellent’ by REF, with both the School’s research environment and the impact of its research receiving the top possible score of 100%. Our staff regularly contribute expert opinion and commentary about research and topical news events to the local, national and international media and through the School blog JOMEC@Cardiff University.

Both the University and the ESRC Wales DTP value diversity and equality at all levels and we encourage applications from all sections of the community.

We welcome applications for both full and part-time study, and studentships are available as either ‘1+3’ (ie one full time year of research training Masters followed by three years of full-time Doctoral study, or the part-time equivalent), or ‘+3’ (ie three years of full-time doctoral study or its part-time equivalent), depending on the needs of the applicant.

• Application deadline: 1 February 2019
  
• Start date: 1 October 2019
  
• Duration: 1+3 years or 3 years or the part time equivalent
  
• Funding body: ESRC
  
• Level of study: Postgraduate research
  
• Award type: PhD studentship
  

Contact: Dr Cynthia Carter (Reader), cartercl@cardiff.ac.uk, +44 (0)29 2087 6172

Visit WEBSITE

Cooking shows and food-based media are prolific across media platforms. Not only do chefs have television shows on cable networks (Food Network, Cooking Channel, Travel Channel), they also have taken over streaming services (Netflix, Hulu) and YouTube channels. Chefs such as Anthony Bourdain, Bobby Flay, Rachel Ray, and many others have become major media celebrities. We are asking for conversation on the broad topic of food media.

Topics may include:

• Globalization and appropriation in American food media
  
• Popularity of food media within streaming mediums
  
• The role of food “gatekeepers” in culture and media
  
• Gender and leadership roles in food media
  
• YouTube and new media food projects
  

Proposals may be brief, but do be sure to describe the topic and key question(s) to be explored. Please submit your proposal by January 28th, 2019. If interested, please contact In Media Res (inmediares@gsu.edu ) with topic proposals or for more information about the theme. Be sure to include the name of the theme week you would like to be involved with in the subject line of the email.

Academics, journalists, critics, media professionals and fans are all welcome to submit proposals.

The actual piece will include either a 30-second to 3-minute clip, an image, or a slideshow that will be accompanied by a 300 to 350 word response to/contextualization of your clip, image, or slideshow. In addition to your piece, you will be expected to engage the other pieces presented that week to encourage discussion and further flesh out the individual topic in relation to the week’s theme.

For more visit In Media Res

Membrana no. 6 seeks to address how and why does the notion of being human revolve around our perception of what it means to be an animal or beast – and how is the relationship imaged and constructed through photography. We are interested not only in representations of animals but also in the way in which this human-animal relation is ideologically enforced or subdued through imagery, and how the notion of instinct defines the photographic process as well as photographic representation.

Photographs of animals always held a significant presence throughout the history of the medium, a testimony of particular fascination and desire to either decode or ascribe meaning to the non-human. The sheer number and diversity of photographic representations of animals (and non-photographic pictorial tradition of representing imaginary beasts) testifies of instinctive relationality of the relationship – while captivating our sight, animals also look back at us as if questioning our very notion of humanity – as if we instinctively understand that we can only look for human-ness via our engagement with the pet, the wild or tamed animal, the beast.

Whether used as commodities for exchange, marketing tools for commodification, tools of scientific research or tokens of domestic familiarity, silent trophies from exotic places or city zoos, the images speak of a certain process of domestication of both a sign and a referent. There seems to be a shift from the old photo-humanistic belongingness of The Family of Man to the growing disillusionment of Anthropocene, where a certain demand for a new kind of responsibility, a new kind of not only trans-cultural but also trans-species belonging arises.

We invite textual and visual contributions that explore photographic representations of animals from (but not limited to) the following perspectives:

• contemporary and historical representations of animals
  
• animal photography and social media
  
• photography and notion of instinct (e.g. photographer as predator)
  
• scientific documentation of animals (Crittercams, photo-traps, camptrail cameras etc.)
  
• fine art animal photos
  
• nature documentary, safari photos, hunting and photography
  
• photographing dead animals
  
• taxidermy as a proto-photographic practice
  
• self-made animal images (animal selfies)
  
• animals ascribed human characteristics and vice versa
  
• animals as a contemporary totems or status symbols
  
• animals and questions of human identity (totemistic animals, but also subcultures, such as furries)
  
• hybrids, fantastic creatures and their ideological applications
  

Format of contributions

• Essays, theoretical papers, overview articles, interviews (approx. 14.000 characters with spaces), visuals encouraged.
  
• Short essays, columns (approx. 6.000 characters with spaces), visuals encouraged.
  
• Photographic projects and artwork: proposals for non-commissioned work or samples of work.
  

Contributions will be published in the English edition – magazine Membrana (ISSN 2463-8501) as well as in the Slovenian edition – magazine Fotografija (ISSN 1408-3566).

Proposals and deadlines

Please contact the editors at editors(at)membrana.si. The deadline for contribution proposals (150-word abstracts and/or visuals) is January 18 2019. The deadline for finished contributions from accepted proposals is 20 March 2019. Please send proposals or contact the editors at editors@membrana.si.

About Membrana

Membrana is a contemporary photography magazine dedicated to promoting a profound and theoretically grounded understanding of photography. Its aim is to encourage new, bold, and alternative conceptions of photography as well as new and bold approaches to photography in general. Positioning itself in the space between scholarly magazines and popular publications, it offers an open forum for critical reflection on the medium, presenting both analytical texts and quality visuals. The magazine is published bi-annually in the summer and winter in the English language and in Slovenian under the title Fotografija by the Slovene non-profit institute Membrana.

More about the third edition can be found here

Emotions have long been neglected in media research, although their role is a vital ingredient in shaping our shared stories and the ways we engage with them. But emotions, as they circulate through the media, can also be divisive and exclusionary.

Karin Wahl-Jorgensen makes the case for researching the role of emotions in mediated politics. Drawing on a series of studies, she explores the complex relationship between emotions, politics and media. The book includes analyses of how Facebook structures emotional reactions; the anger of Donald Trump; the use of personal storytelling in feminist Twitter hashtags; the role of emotionality in award-winning journalism; and the communities created by political fandoms.

Essential reading for scholars and students, this important volume opens up new ways of thinking about and researching emotions, media and politics.

ECREA members have 20% discount on paperback of the book

Discount code: PY990 (valid until August 2019)

Universität Hamburg invites applications for a position as a Senior Research Associate in the field of Journalism and Media Studies (or related social sciences) with a strong expertise in the analysis of journalistic and social media content for the project “Social Constructions of Climate Futures” within the framework of the DFG Cluster of Excellence ‘CliCCS – Climate, Climatic Change and Society’, in accordance with Section 28 subsection 3 of the Hamburg higher education act (Hamburgisches Hochschulgesetz, HmbHG). The position commences on the 1st of April 2019.

CliCCS is an ambitious research program at Universität Hamburg and its partner institutions. Funded by the German Research Foundation (DFG), it is part of Germany’s Excellence Strategy. CliCCS’ overarching research question reads: Which climate futures are possible, and which are plausible? The project “Social Constructions of Climate Futures” explores how journalistic and social media, local discourses, scientists and stakeholders debate and imagine the future in the context of a changing climate - comparing debates in German speaking countries, the United States, India and Southern Africa.

The position is remunerated at the salary level TV-L 13 and calls for 39 hours per week.

The fixed-term nature of this contract is based upon Section 2 of the academic fixed-term labor contract act (Wissenschaftszeitvertragsgesetz, WissZeitVG) and will end on December 31st 2025.

The University aims to increase the number of women in research and teaching and explicitly encourages women to apply. Equally qualified emale applicants will receive preference in ac-cordance with the Hamburg act on gender equality (Hamburgisches Gleichstellungsgesetz, HmbGleiG).

CliCCS offers accompanying measures to help scientists thrive through all stages of their careers.

Responsibilities:

• Conducting journalism and media studies on the construction of climate futures
  
• Coordination and management of the project “Social Constructions of Climate Futures”
  
• Contribution to project development under supervision of project leaders
  
• Contribution to overall interdisciplinary synthesis of the Cluster of
  
• Excellence CliCCS
  

Specific Duties:

• Conducting and combining automated and manual quantitative and qualitative content analysis
  
• Developing and (co-)authoring articles to be published in international academic journals
  
• Presenting research at international conferences
  
• Science Management tasks (e.g. oversight of budget, organisation of cooperation between PhD researchers, workshop organisation)
  
• Contribute to synthesis papers of the overall CliCCS project
  

Requirements:

• Demonstrated interest in the field of climate, risk, science and environmental communication
  
• Expertise in automated and manual content analysis
  
• Good knowledge of multi-variate statistics
  
• Basic knowledge of R or other programming skills
  
• Basic knowledge of qualitative research or network analysis
  
• Publications in peer-reviewed journals
  
• Native or advanced knowledge in English and German
  
• Demonstrated experience and interest in project management
  
• Ability to work proactively in an interdisciplinary team
  
• An excellent university degree in media and journalism studies, related social sciences or neighboring disciplines (such as corpus linguistics), plus a very good or excellent doctorate in any of these fields.
  

Severely disabled applicants will receive preference over equally qualified non-disabled applicants.

For further information, please contact michael.brueggemann@uni-hamburg.de or consult our website at https://www.cliccs.uni-hamburg.de/

Applications should include a cover letter, curriculum vitae, and copies of degree certificate(s) submitted as one single PDF file. The application deadline is 31.01.2019.

Please send applications to: christiane.krueger@uni-hamburg.de.

The Department of Communications and Theatre Arts at Old Dominion University is seeking to hire a tenure-eligible Associate Professor of Digital Strategies for Fall 2019. The individual filling this position will play a leadership role in shaping the department’s growing public relations concentration, supervise graduate students on digital strategic communications projects and research, and will serve as the founding executive director of a student-led digital services firm that designs and implements multimedia campaigns for real-world clients.

We are seeking a scholar-practitioner with strong commitments to entrepreneurial research, community-engaged research, service learning, and enhancing diversity. The ideal candidate will have worked in digital strategic communications, audience cultivation and engagement via social media, public relations, crisis communications, or user experience design both in and outside of academia, for either private, public, non-profit or grassroots organizations, and maintains an active research agenda in one or more of those areas. The successful candidate will have a demonstrable commitment to promoting and enhancing diversity. The candidate should possess strong networking and stakeholder cultivation skills, and possess the ability to develop interdisciplinary partnerships with other communication-related academic disciplines.

The candidate must hold a Ph.D. in Communications, Digital Media Studies, Public Relations, or a related field. They must have a research portfolio and track record worthy of tenure and the rank of Associate Professor at a Carnegie-designated High Research Activity institution.

They must have a minimum of 5 years teaching experience at the University level (with experience teaching both undergraduate and graduate students strongly preferred).

We are interested in candidates whose research interests also intersect with qualitative research methods, organizational communications, media industries studies, platform studies, health or science communications. Grant writing skills would be a valuable asset. Digital campaign management experience is also an asset.

To be considered for the position, applicants must provide a letter outlining their experience and interest in the position, a CV, a writing sample, an example of a digital strategic communications project/campaign they have worked on, and a list of three references.

References will not be contacted until the campus visit stage of the interview process. Evaluation of applicant packets will commence January 15, 2019 and continue until the position is filled. Interested applicants can do so at: http://jobs.odu.edu/postings/8839

For questions, please contact the search committee chair, Dr. Fran Hassencahl, at fhassenc@odu.edu or department chair, Avi Santo at asanto@odu.edu

Old Dominion University is an equal opportunity/affirmative action institution. Minorities, women, veterans and individuals with disabilities are strongly encouraged to apply.